Business Premises Of The Company - 1335 Words

Business Premises Calypso Pty Ltd – a manufacturing and distributing company based in Perth Western Australia- has created a new energy drink titled ‘Alive’. The company has outsourced the production of the product to the Coca-Cola Amatil (CCA) in the Coca-Cola Bottlers at 19 Miles Rd, Kewdale Perth Western Australia 6105 (one of the largest bottlers of non-alcoholic ready-to-drink beverages). The business has decided to outsource as it will save Calypso Pty Ltd thousands of dollars, money will be saved on the purchase of machinery, on the training of staff to work, control and monitor the machinery whilst gaining the swiftness and expertise of the Coca-Cola Bottlers employees and on the purchase of a premises/ factory in order to†¦show more content†¦In regards to insurance Calypso Pty Ltd is associated with the Coca-Cola Amatil and therefore their leading property insurer, Vero and each year and provides its clients with detailed risk reports. In the most recent case of the Kewdale plant Coca-Cola Bottlers, Vero provided between 15-20 risk recommendations, which CCA went to great lengths to address as swiftly as possible. Production Process The manufacturing of the ‘Alive’ energy drinks begins with clarifying the water as the quality of water is crucial to the success of an energy drink because impurities, such as suspended particles, organic matter, and bacteria, may ruin the taste and color; this is done through the traditional process of a series of coagulation, filtration, and chlorination. Meanwhile the sugar

Hispanic/Latino Spirituality Paoer Free Essays

Magical realism is a genre where magic elements are a natural part in an otherwise mundane, realistic environment. It has been said that â€Å"Magical realism is a continuation of the romantic realist tradition of Spanish language literature and its European counterparts† (Faris). Magical realism allows the author to expand character’s attributes to relatability. We will write a custom essay sample on Hispanic/Latino Spirituality Paoer or any similar topic only for you Order Now One example of this occurs when a character continues to be alive beyond the normal length of life and this is subtly depicted by the character being present throughout many generations. On the surface the story has no clear magical attributes and everything is conveyed in a real setting, but such a character breaks the rules of our real world. The author may give precise details of the real world such as the date of birth of a reference character and the army recruitment age, but such facts help to define an age for the fantastic character of the story that would turn out to be an abnormal occurrence like someone living for two hundred years. Professor Matthew Strecher defines magic realism as â€Å"what happens when a highly detailed, realistic setting is invaded by something too strange to believe†. This critical perspective towards magical realism stems from the Western reader’s disassociation with mythology, a root of magical realism more easily understood by non-Western cultures. (Faris) Western confusion regarding magical realism is due to the â€Å"conception of the real† created in a magical realist text: rather than explain reality using natural or physical laws, as in typical Western texts, magical realist texts create a reality â€Å"in which the relation between incidents, characters, and setting could not be based upon or justified by their status within the physical world or their normal acceptance by bourgeois mentality† (Flores). In Sandra Cisneros’, Ghosts and Voices: Writing from Obsession, she details her autobiography and creates a sense of disconnectedness with the world around her. She reveals feeling separated from society in her reading and writing. Her loneliness from being the only daughter in a family of sons and her inability to make friends separates her further from the interactive normalcy of society. â€Å"Instead of writing by inspiration, it seems we write by obsessions, of that which is most violently tugging at our psyche†¦ there is the necessary phase of dealing with those ghosts and voices most urgently haunting us, day by day† (Cisneros, Ghosts, 49). This lack of a sense of belonging results in separation and isolation, which impacts her sense of community and reveals her ideas about her own culture. Cisneros doesn’t use the elements of magical realism to tell her story. Rather she uses her culture’s religious elements to describe her upbringing. It is necessary to understand the culture’s religion in order to achieve a direct representation of its importance to the historical, socio-political, and cultural contexts to the story. How to cite Hispanic/Latino Spirituality Paoer, Papers

Relationshio between God and Humanity Essay Example For Students

Relationshio between God and Humanity Essay The relationship between the gods and humanity in The Epic of Gilgamesh and The Odyssey are the same. In each saga, the gods seem to live nearby and are always present. Both epic poems portray humans as simply at the mercy of the gods. The gods feel that it is their duty to intervene if they feel that man is traveling off course from his destiny. However, the gods are not all powerful. Each god has a certain domain and cannot control another gods domain. All the gods including Zeus, the father of the gods, want Odysseus to be able to return home in The Odyssey. However, Poseiden, just one god, prevents Odysseus from returning. It is only when Poseiden is absent from Mt. Olympus that the other gods are able to take control and assist Odysseus in returning home. Gilgamesh also has the same misconception that the gods are all powerful. After he and Enkidu kill the Bull of Heaven, the gods Anu, Enlil, Ea and Shamash convene and decide that one of the brothers must die for their evil deed. Shamash, Gilgameshs protector, pleads with the other gods to spare his life. The other gods disregard Shamashs appeal and Enkidu dies. In each instance, one god is not able to impose his agenda against the wishes of the other gods. Enkidus death evokes a disturbing thought in Gilgamesh. He finally realizes that he is mortal. He then goes about trying to find the key to immortality. Gilgamesh first seeks out Utnapishtim, the only human to gain immortality. When Gilgamesh cannot pass the test of staying awake for seven days, Utnapishtim then gives him the plant Old Men Are Young Again. Despite this second opportunity, Gilgamesh is not triumphant in his search for immortality because a serpent eats the plant and Gilgameshs opportunity is lost forever. He does not realize that Enlil, the father of the gods, had already determined his destiny. It is clear from the events of the story that Gilgamesh was not to obtain everlasting life and it is no coincidence that all of his efforts fail in one way or another. This is another example of mans lack of control where the gods are concerned The Odyssey demonstrates how the gods favored certain men over others. When man had the gods on his side, he was sure to complete whatever task was at hand. Upon his return home, Odysseus, Eumaios, Philoitios, and Telemakhos are able to kill all the suitors, although there were many suitors and only four of them. This is because Athena favored Odysseus and therefore made it possible for the four men to slaughter the vast number of suitors. The gods also favored Gilgamesh. Gilgamesh prayed to Shamash for strength and safety when he and Enkidu were to travel in the cedar forest. Gilgamesh is then able to kill Humbaba regardless of the fact that Humbaba is a giant and some type of god. Gilgamesh and Enkidu are only able to slay this giant through the divine intervention of Shamash. The gods seemed to favor both Gilgamesh and Odysseus because of their semi-godlike characteristics. Gilgamesh is two-thirds god and the King of Uruk. While Odysseus is not formally a god, he does possess the cunning and physique necessary to be a god, along with being the King of Ithaca. Odysseus experiences numerous near-death events, yet always overcomes the ordeals without any harm. He succeeds in blinding the Cyclopes to escape their island; goes to the underworld and back; avoids being killed by the Laistrygonians; protects himself and his men from the Sirens songs; navigates between Scylla and Charybdis; and heeds the advice of Teiresias not to eat Helios cows. The god Shamash also protected Gilgamesh from the Bull of Heaven and Humbaba. This despite the fact that neither Odysseus nor Gilgamesh possess high moral standards. Gilgamesh initially was seducing the women of Uruk and Odysseus raped all the Kikone women, in addition to having numerous affairs with other women while on his adventures. The gods relationship then with men seems to be one of interference, yet not judgment. 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